My New York Art Story marks a pivotal transition in my mythology practice. It was here that my work began moving beyond the body and into a dialogue with environment — where architecture, spirit, and energy could be felt as a single field.
New York felt like home in a way no other place had before, even more than Taiwan. While this shift fully unfolded later, after I returned to Asia, this moment stands as an early and essential stepping stone — the first expansion outward that reshaped how mythology would live in my work.